it’s so annoying when you’re trying to get a piece ready for your lesson or for an audition and there’s one part of it that seems impossible.
if you’re the person who practices the MOST, does that mean you’re gonna win your next audition?
i interviewed jake nissly of the SF symphony for today's video! it’s all about how to take musical risks in auditions, and i also ask him how he won 3 principal auditions in a row.
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