most people spend their valentine’s days doing something romantic, or at the very least chocolate-oriented. even the met opera is performing bartok's bluebeard’s castle, an opera about two lovers. (they actually are lovers, regardless of the fact that he ends up murdering her and putting her on display with a selection of other previously-murdered girlfriends. how poetic.)
february 14th: the 12 délecluse études, performed live
i would like to invite you to a thoroughly whimsical way to spend your afternoon: attend a performance of all twelve delécluse études, performed by me! yes, that’s right. from 5-5:50pm on february 14th, i will perform all twelve of them. make your way to the 2015 PAS KoSA day of percussion at the frederick loewe theatre, 35 w. 4th st., new york, new york.
how to practice and interpret the études
in addition to performing the entire book live, i'll lead discussion on the études. here are the types of things i’m going to discuss, including but not limited to:
-ideas on how to interpret and stylize delécluse études
-choosing an étude for auditions
-how to practice and learn an étude
-what it was like to record the album of all twelve études
to sweeten the offer a little bit, here’s the list of all the other things going on that day. notice that my class is at 5pm, not at 4 as is listed in the program.
see you there!
want to see my complete snare drum setup?
here’s my 8-piece snare drum setup, including every piece of gear and accessory you'll need. (and it's totally audition-ready, too.)
college auditions decide your life, so choosing your repertoire has to be very carefully considered.
i’ve heard lots of marimba players with huge potential shoot themselves in the foot by missing these basic elements of musicality.
can you slam together two trash can lids and make a beautiful sound? welcome to crash cymbals. here’s how to practice cymbals to stop getting air pockets and ugly crashes.
stick control and the rudiments have never fixed my snare drum problems. this is the 60 minute(ish) snare drum warm up that actually works.
it’s so annoying when you’re trying to get a piece ready for your lesson or for an audition and there’s one part of it that seems impossible.
how to play a smooth timpani roll (and 4 reasons your roll sounds like “bligabogldkgavlknlelkeevke” instead of “LLLLLLLLLLLLLLLLLL”.)
so…one thing i’m terrible at (and not really ashamed to admit it) is independent rolls on marimba.