there's 3 main parts: the warm-up, the run-through, and the body of work. and it MIRRORS audition day. (which makes that day feel like just another day!)

your daily practice time is a tool... and you can turn the dial up or down to affect your productivity. (spoiler: more doesn't always equal more.)

audition prep is an assembly line: you stick excerpts in one side, and they shoot out the other. so how do you deal with that unorganized mess of tasks in the middle?

the 9-step audition tape guide, whether you're going the DIY route or using a recording engineer.

i don't do planning so that i can be ultra-prepared. i do planning so that i can be LAZY, and just follow my own directions later.

consider this your manual to passing the dreaded resume round of orchestra auditions. it's the what/why/how, plus a 3-step getting started guide.

auditions are basically a huge funnel. a stream of people go in one side and one pops out at the end. here's a 7-step video guide to the whole process.

if i could go back in time and evaporate a massive amount of lifetime stress, i'd teach myself how to win an audition from the start. and this is what i'd say.

why's everyone so tight-lipped about auditions?

an easy-to-implement tip to deal with that crucial (and stressful) moment right before you play.

it's my NEXT EPIC PROJECT: i want to help you master auditions.

because nobody EVER claps after you finish an audition round. (it's breaking the rules!)

but that pesky audition panel ~*is*~ listening to you in a different way during each round. here's how.

break through an excerpt plateau using this 5-step process.

why mimicking is ok and you should do it shamelessly.