i brought a recorder into my winning MET audition in may 2011
day 12: should i try beta blockers for audition nerves?
day 11: how to get rid of audition nerves - a methodical process
day 10: the ultimate guide to sight-reading for auditions (and life)
day 9: why self-recording is the key to advancing in auditions
day 8: how to research an excerpt and become an authority
day 7: the perfect daily practice session
day 6: how many hours a day should you practice?
day 5: how to organize your audition preparation
day 4: how to make an audition tape in 9 steps
day 3: how to plan your audition preparation
day 2: how to make a sleek and impressive resume
day 1: how to take an orchestra audition
RIP jacques delécluse (1933-2015)
how to advance at an orchestra audition 101
should i tell my friends/family/colleagues that i’m taking an audition?
how do you prepare yourself for the actual audition moment?
why last thursday's webinar on audition nerves was the future of music education
i presented a webinar called “how to crush nerves (for auditions),” for hundreds of people, and it was the best way i’ve ever taught a class. it was also the first time that audition training has ever happened in that sort of setting, as far as i’m aware. actually: maybe it was a huge event in music education history! maybe this will be on wikipedia one day. who knows.