what happens when you don’t have an audition day plan?
well, if you’re like me, you’ll sit in the warm-up room and start worrying and panicking and over-practicing. you’ll reconsider every musical decision you made…
…is this the right tempo or should i speed up a little?
…what if i play the wrong sticking at rehearsal #6?
…maybe i should change the sticking in measure 2?
once you start thinking about it, you can’t stop. you’ll second-guess everything.
and all that worrying leads to nerves. for me, it leads to shaking, sweaty hands, and shortness of breath.
so the way that i can encourage myself not to think too much and go down the rabbit hole of every musical decision is by making a detailed audition day plan. i plan out what to do during 4 periods of time:
1. the night before (in the hotel)
2. the morning of (at the hotel)
3. the group warm-up room, and
4. the private warm-up room
this is usually something people forget to do (and regret later).
this video is about how to make your audition day plan.
rob and noa’s summer audition bootcamp closes tomorrow night.
if you think creating an audition day plan is helpful, consider how creating an entire audition preparation plan could change your life.
this summer, i’m teaching an 8-week audition preparation course with noa kageyama from the bulletproof musician. we’ll go over every step of audition prep from the day you get your list to the day of the audition.
the course starts on may 4th, and you have until tomorrow night (sunday) at 11:59pm eastern to enroll.
imprecise rhythm is something that can get you cut from an audition IMMEDIATELY (regardless of your instrument). and great rhythm is something that an audition committee can sense, both consciously and subconsciously. hearing someone play in the pocket just feels good.
well, i have a few tricks up my sleeve to straighten out my rhythm, and today i'm sharing one of the most effective strategies.
things i do on audition day:
warm up by playing on the hotel pillow,
watch vast amounts of tv shows on my phone, and
never drink coffee.
when i was in detroit in february i got to interview three great DSO musicians on how they approach audition day. pretty fascinating to see how their approaches are so different from each other.
i’m endlessly fascinated with how musicians practice (as you know). so i was fortunate to talk to augustin hadelich, international violin soloist, about how he gets ready to play a different concerto with a different orchestra every week.
one way that i keep myself sane is to make a practice schedule and keep it up to date. you can use paper and pencil, a word document, evernote, or a wall. in today’s video i explain how to get it set up.
i’ve been getting lots of messages from people having trouble finding motivation or direction now that they’re at home all day. i’ve been dealing with the same issues, but i’m finally out of the funk.
so i made a video about how to get motivated and set practice goals (during coronapause). check it out.
this is an interview with nathan hughes, principal oboist of the metropolitan opera and faculty at juilliard. he has to practice and make reeds… every day. anyone who wonders how to balance the artistry and the project management of being a musician should watch this.
some days i’ll feel good about my playing. but some days i'll walk into the opera pit and question whether i really deserve to be there.
i’ll think <with an extremely fred savage from the wonder years voice>, “i wonder how i ended up here. oh well, i guess i’ll pretend to be a professional musician and play the triangle again today.”
it’s called imposter syndrome.
but just because you experience imposter syndrome doesn’t mean there’s something wrong with you. problems are figureoutable. anything you’re lacking as a musician is something that can be analyzed, addressed, and eventually solved.
in today’s video i’d like to tell you about my experience with imposter syndrome, and how i’ve worked to overcome it.
i've worked with hundreds of musicians on audition preparation. and nothing - NOTHING - has been as effective and life-changing as when they start self-recording the right way.