...and answers to other PASIC faqs
it's my pleasure to announce that i'll be making my PASIC debut this year as a keyboard lab clinician. it fills up fast, so claim your spot now! simply click the following link, mention that you'd like to play in the rob knopper keyboard lab, and include the excerpt or solo that you'd like to play.
what's a keyboard lab?
it's basically the percussive arts society's term for a keyboard masterclass. 5 students have 10 minutes each to play something on a mallet instrument - xylophone, bells, marimba, or vibraphone - and receive commentary and critique.
what should i play?
anything you want on the 4 mallet instruments. because we only have 10 minutes per participant, choose something short. that way, there will be meaningful time for comments and discussion. also, since i am an orchestral player, it might behoove you to choose something having to do with orchestras or auditions rather than, say, a performance art piece with graphic notation and no discernible beginning or end.
when is it?
the class is at PASIC (percussive arts society international convention) on friday, november 21st, at 5pm.
how long do i get to play?
each player gets 10 minutes.
what if i have more questions?
duh, ask me.
want to see my complete snare drum setup?
here’s my 8-piece snare drum setup, including every piece of gear and accessory you'll need. (and it's totally audition-ready, too.)
includes VIDEO LESSONS, sticking, technical exercises, suggested tempo, excerpt recording, and recommended orchestra recording.
i asked legendary philadelphia orchestra percussionist angela zator nelson (angie for short) to come explain how she learns difficult mallet licks.
college auditions decide your life, so choosing your repertoire has to be very carefully considered.
i’ve heard lots of marimba players with huge potential shoot themselves in the foot by missing these basic elements of musicality.
can you slam together two trash can lids and make a beautiful sound? welcome to crash cymbals. here’s how to practice cymbals to stop getting air pockets and ugly crashes.
stick control and the rudiments have never fixed my snare drum problems. this is the 60 minute(ish) snare drum warm up that actually works.
it’s so annoying when you’re trying to get a piece ready for your lesson or for an audition and there’s one part of it that seems impossible.