the snare drum seems like it could be the most boring instrument on earth. regardless, you still have to sound as musical as any violinist or oboist or trumpeter.

in today's video, i'm showing you 7 ways you can express phrasing and musicality on the snare drum.

last week, duncan patton, my former colleague at the met opera, demonstrated how to build a basic legato stroke on timpani. today he’s back to show you the other 8 stroke types you should learn to build a complete sound pallet.

in high school i found an old PAS article on building a legato timpani stroke that changed my life. i didn’t know it at the time, but the author would turn out to be my colleague in the met orchestra, duncan patton. here’s duncan's guide to building a legato stroke, 22 years later.

your mallet bag should be a collection of the best of the best. you should choose new mallets in a scientific way, without wasting money. 

on my first day of freshman year in college, greg zuber handed me a 283-page packet of snare drum exercises, charts, grip diagrams, and articles. thus began my college snare drum journey. in today’s video he explains some of his most important foundational snare drum concepts that you can incorporate into your daily snare warmup.

if you want to be an orchestral percussionist, should you do drum corps or will it ruin your stroke? i asked jake nissly, principal percussionist of the san francisco symphony and former member of the dubuque colts.

my 3-step plan to recover from a performance you'd rather forget

there’s no magic exercise to fix a shaky soft roll or uneven 4-stroke ruffs, so stop looking. the solution lies in how you practice.

includes VIDEO LESSONS, sticking, technical exercises, suggested tempo, excerpt recording, and recommended orchestra recording.

i asked legendary philadelphia orchestra percussionist angela zator nelson (angie for short) to come explain how she learns difficult mallet licks.